![]() ![]() They just give an idea of what the raw source we're working from looks like.įor the latest updates about this project and other projects we're working on, please subscribe to our newsletter on the main home page. These shots are completely unrestored and don't represent the final quality of our restoration. This title will take a while, but here are a few images to get a sense of the quality of the scan. This is a much, much more time consuming process but it allows me to achieve an extremely pristine transfer. Use The Pixel Farm's PFClean to manually clean up all the remaining imperfections. I use a light setting to clean up as much of the dirt, dust, specks, etc as possible without introducing any artifacts.Ģ. Use Digital Vision Phoenix for automatic dirt and dust removal. I don't anticipate needing to do any color correction work on this title.ġ. In fact, I'd say the early parts require a little more work and the damage becomes lighter towards the middle and end of the film. Throughout the runtime of the film, the damage is pretty light. There are a few scratches and broken frames here or there as well. It mainly involves dirt and dust removal. ![]() The process for restoring this film is fairly straightforward. This is the source I will be using for our release. So I decided then and there to commission a new 4K scan of the print. There was absolutely no fading or discoloration whatsoever and the detail was so far beyond anything that had been available for this film in the past. More importantly, the detail and colors were absolutely incredible. While there was dirt and dust on the print, which is to be expected for a thirty year old film, the damage was reasonably light and I knew it could be effectively cleaned up with the restoration tools and techniques I use. I was absolutely blown away by the quality of the scan. Coming soon to Amazon, InDemand, iTunes, Google Play, and more streaming platforms Lead Cast:Â Parris Bates (Jim), Sydney Winbush (Alyson) (Shrill-Netflix), J Rebecca Morse (Eunice) (Hawaii Five-O), Conor Austin (Collin), Jesse Sass. So I asked for a small preview scan to be done so I could assess the quality. As day turns to night, doors start slamming, steps begin to creak, and the ghosts come out to play or kill. This is a title I loved but I always assumed that it would be impossible to see a decent quality release given the sources that I knew were out there. Needless to say I was extremely interested and exciting about Bullet In The Head. One was " Hard Boiled" and the other was " Bullet In The Head". He mentioned that he found two prints that he thought I might be interested in. More than a year ago a received an anonymous email from a guy who had access to a private collection of 35mm prints from a collector. The only release on Blu-ray is an extremely poor Fortune Star upscale job released by Kam & Ronson.įor the first time, Bullet In The Head has allowed Hong Kong Rescue to work from a brand new 35mm print of this film. The best home video release is probably the twenty year old Hong Kong Legends DVD. To date there has been no genuine HD release of this film. It is generally regarded as one of Woo's best films. One of the most neglected of John Woo's films, arguably even more disrespected on home video than The Killer.Ī brilliant Vietnam war film featuring an early performance by the great Tony Leung, Bullet In The Head was released right in the middle of John Woo's "golden period" where he released his best films. Also featured – for the first time in its entirety – is The Beatles’ last live performance as a group: the unforgettable rooftop concert on London’s Savile Row, as well as other songs and classic compositions featured on the band’s final two albums, Abbey Road and Let It Be.įans and critics everywhere have celebrated the “mesmerizing” (Kenneth Womack, ), “epic” (Tim Glanfield, ) and “extraordinarily intimate” series (Sheila O’Malley, ).John Woo's 1990 classic Bullet In The Head ![]() The documentary showcases the warmth, camaraderie and creative genius that defined the legacy of the iconic foursome, and is compiled from 60 hours of unseen footage shot in January 1969 (under the supervision of Michael Lindsay-Hogg and his director of photography Tony Richmond) and more than 150 hours of unheard audio, all of which has been brilliantly restored. The series offers unprecedented access to the world’s most iconic band as they prepare to record the Let It Be album.ĭirected by Peter Jackson, The Beatles: Get Back is a three-part documentary series that takes audiences back in time to the band’s intimate recording sessions. ![]() Disney has announced that acclaimed director Peter Jackson’s stunning Disney+ Original docuseries The Beatles: Get Back will be available to own on a Blu-ray Collector’s Set and DVD. ![]()
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